I used to live in an ideogram of my own world, Rejecting psychological theories and accomodated schemas An abandoned tenement of fear and enmity. Indecipherable sentences scrawled with church steeples As transparent thumbnails, subterranean schemes Perforating gently graded turquoise tiled skies. Symbolic sentiments, each uttered word unraveling Strings of the woven shroud of secrecy It was internal decorating and I had been furnishing rooms With knitted tapestries and mosaics of loneliness Plaster peeling, lust lingering behind bleached murals and walls. You created caricatures from conversations and literary allusions I was metaphor myself, smiling after each sentimental simile Your arms like olive branches, extensions of laurels and peace offerings Likening my chest to the filmy breasts of womanly clouds Raisined nipples more melodious than polished saitic bronzes. And I still remained the Hieroglyphic heron With claws for fingernails and winged feet Trying to blind by waving scarves as prismatic bridal trains Unaware you were magnifying the lunar landscape of my wounds. To love solitude, one must have uncommon resistance And my existence was just divided into stages of pretension Failures, their seraphim shadows and sheer perversity Arrogant assumptions sealed tightly within an alabaster jar. I wasn't calm the day I started dissecting myself It was Cleaning Day, dirt and debris piling up after centuries of procrastination Dismantling disoriented gables, uncertain rooftops Unclasping the shackles of withered risks because My parents had stained marriage like tarnished silverware Their discord was the disharmonies of hives, The stubborn architecture of ants and aardvarks. And it was conditional responses, as I was walking on the Trails of my own terrain, trampling on the leaves of Accumulated autumns, I pricked as thorns or perturbed pine cones. Time's fingerprints imprinted on my thighs, And the eroded pavement frowns upon my narcissistic dignity I used to store written testaments, subliminal messages With plaintive vowels and combative consonants, hollow Adjectives, paltry adverbs and suffocating nouns in Armoires and drawers, the four boards of my consciousness. And now I reveled in this renaissance, this emergence of self The siamese sphinx rising from the ashes Savoring your sweetness, was like the tasting of permanent summer Which quenches no thirst, expressing sexual expletives in your ears, They were the incoherent whispers of nations uniting, the ritual of repetition. Our avenues burn with the brillancy of desires, its Electric light falls over us as a green phosphorescent mist Our courtship lit tindery cages, like moths encircling porcelain streetlamps Where honey tightens in a coherence of rays. I used to be mechanical, a machine running on toxins The spokes of my wheels and cogs immobile, I was a labelled Ice Princess, a forgettable frigid lover. But you were a nightingale singing well formed phrases A cardinal diving into my circumference Lashes rustling rhythmically, brushing shuttered sleep Gently away from my rooftops, reopening venetian blinds. It was relocating a mountain into my bedroom In order to possess its authenticity, its aesthetic beauty Enlarging the negatives of my photographic reality with you I stopped retreating in secluded darkrooms with Cryptic cameras and fragmented fantasies, Holding me and helping to crumble the mausoleum doors of my mind. We were travelling to different localities Unaffected by plate tectonics, bringing about our own continental shifts Defaced of all geography, our love resembled Thrusting a mildewed gauntlet at mortality. My life, repainted, the fragile fragments and elements Given endless shades of color, microscopic points, lines, rearranged The size and density previously in inverse proportion. I gather spherical shelled kisses, the acorns of squirrels Like food against a famine, swinging on ropes Walking on ledges to the prism that outlines you.
Reason for writing:
The reason I wrote this poem was because I was inspired by my boyfriend.Birth sign: Not entered
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